The Architecture and Design Center, Edwards Harris Pavilion will reopen with The Modern Chair exhibition which follows a chronology of the development of the modern chair starting with the famous Thonet “B-9” bentwood armchair (circa 1905), which is widely considered the first modern chair. Le Corbusier used it frequently in his early architectures as there was no other modern furniture readily available at the time. The modern chair will trace the evolution from the first cantilevered example of Mart Stam, on to the designs of the present times. Technological and stylistic advancements have driven chair design forward at breakneck speed in the 20th century like never before. The exhibition will also contain important examples from the 21st century.
This exhibition is organized by the Palm Springs Art Museum and curated by Brad Dunning, specialist in architecture and design, with the support of Rochelle Steiner.
Main sponsorship of this exhibition provided by Elizabeth Edwards Harris and Trina Turk.
Funded by Allred Collaborative, Geoffrey De Sousa & José Manuel Alorda, Melissa Morgan Fine Art, Mimi & Steve Fisher, David Knaus & Mark Ingram, Sarah McElroy, Tim Prendergast & Christopher Mizeski (Christopher Anthony Ltd.), Modern Hacienda, Palm Springs Life, Ronnie Sassoon & James Crump, Bonnie Serkin & Will Emery, Cindra & Rod Stolk.
Additional funding is also provided by Fred & Nancy Baron, Robert Campbell – Realtor & Donald Daniels, Jane Emison & Mike Tierney, Amanda & Michael Erlinger, Robert D. Kleinschmidt, Nancy Sinatra, Rebecca & Phillip Smith.
This season’s exhibitions are sponsored by the Herman & Faye Sarkowsky Charitable Foundation and Yvonne & Steve * Maloney.
Whether or not you are currently locked out, many of the world’s most exciting and wonderful attractions are currently off-limits. Fortunately – in these times of self-isolation, social distancing and closed borders – many museums, galleries and monuments around the world offer virtual tours.
Want to browse the collections of the National Gallery of Victoria? See the Smithsonian dinosaur fossils? Discover the Sistine Chapel? It’s just as easy by clicking a few buttons. Whether you fancy exploring Japan’s bright digital art museum or viewing cute creatures in a zoo, you can spend a night – or a day – at a museum, gallery, or other place of cultural significance in the comfort of your sofa.
Here are ten highlights to get you started – and if you like others, Google Arts and Culture will point you towards even more.
Nothing really compares to visiting the Louvre and standing in front of the Mona Lisa yourself, your eyes roaming the enigmatic smile of the work painted by Leonardo da Vinci. Now, for the first time, the Parisian place allows you to live it virtually with a Mona Lisa VR experience. If you’re equipped with a next-level VR setup, you can explore many of the gallery’s exhibits online. Via sound virtual options, stroll through exhibitions exploring the relationship between art and political power, Renaissance works of art and myths told through art.
VAN GOGH MUSEUM
If you missed Van Gogh Alive’s first round of Australian exhibitions, the Van Gogh Museum in Amsterdam is home to the largest collection of the artist’s work in the world, including over 200 paintings, 500 drawings and 750 letters. It’s a large table, which you can look at yourself via Virtual tour of Google Arts & Culture. Yes, Sunflowers is one of them, although there is much inimitable art also on display in his other still lifes, landscapes and other painted scenes. Move at your own pace, then zoom in to see details and read the accompanying descriptive plaques. And if you want to get a glimpse first, you can check out the museum YouTube visit also.
TEAMLAB SANS FRONTIERS DIGITAL ART MUSEUM
The word ‘immersive’ is used too often these days, but if anywhere deserves the term, it’s TeamLab’s borderless digital art museum. Sprawled out in a Tokyo warehouse, this eye-catching place fills every available surface with moving, shifting and interactive artwork – so you can watch the flowers bloom on the floor, walls and ceiling; then sit back and watch the ocean waves crash across a room; then walk through the illuminated water lilies. Or, thanks to its wide range of Youtube videos, you can get a taste of her vibrant installations right from your home. TeamLab’s online archive also includes documents from its many other exhibits beyond the borders of its Tokyo base, and while each is only a minute or two long, there is plenty to choose from. Also make sure your sound is on.
As you experience a historic global event, why not spend some time exploring the natural history of the planet? That’s what the Smithsonian is all about, with over 145 million specimens and artifacts in its collections. And while you can’t see them all in her online visit, you can virtually browse its current, previous and permanent views. It means dinosaurs, of course. Watching the spikes of a Stegosaurus or the face of a Tyrannosaurus Rex is always so impressive when you do it through your phone or computer. It also means everything from butterflies and bones to gems and the origins of mankind – and, if that’s not too dark for you right now, there’s also an exhibit dedicated to epidemics, epidemics and the spread of disease.
NATIONAL GALLERY OF VICTORIA
Perhaps you are a Melburnian who wanted to visit the current major exhibitions of the National Gallery of Victoria. You may live elsewhere, but you’ve taken a trip to the Victorian capital in the future, including the NGV. With the gallery currently closed, this is obviously irrelevant; However, you can still take a peek at last year’s blockbuster. Triennial, the Tiwi Islands off Darwin and Japanese modernism. Head to the new NGV channel, where curatorial tours are added to the online library on an ongoing basis. A whopping 75,000 pieces of the CNG collection are also available, so you will really feel like you are there.
Think you know what all museums and art galleries look like in general terms? Think again. The Museu de Arte de São Paulo, or MASP, doesn’t just put its many works of art on its walls. Instead, he places them on sheets of crystal anchored by concrete blocks, in a design meant to mimic an artist’s easel, then spreads them out in large cavernous rooms. It makes looking at the site’s paintings, sculptures, photographs, and other items a whole different experience, even when you’re doing it online. If you take the tour via the Google Arts and Culture for iOS or Android, you can also explore a VR component to really feel like you’re there.
The Sistine Chapel has as many breathtaking works of art as any other gallery or museum. More than some, in fact. And, via the Vatican Online Tour, you can walk it for as long as you want – and admire the immense detail in Michelangelo’s wall-to-wall frescoes, of course – with no crowds or time limits. These pieces have sparkled for more than five centuries and, as everyone knows, they make quite a spectacle. Once you are done browsing, scrolling and zooming, you can also explore other Vatican Museums, Wings and Chapels thanks to the rest of its virtual offers. If you are not only fond of art and sculpture, but also architecture, then prepare to be in your element.
When it comes to visiting the Sydney Opera House without visiting it physically, there are several viewing options available online. Take the 360 degree tour, and you can walk through Australia’s most iconic monument at your own pace –and also discover a number of exhibitions online. You can watch the YouTube video tour accompanied by a soundtrack that usually resonates in opera houses, or broadcast a range of concerts and lectures on its new streaming service. No matter how you explore, you’ll see the place like you’ve never seen it before, which is one of the joys of going virtual. You can’t look around every nook and cranny while you’re at it, but, via remote means, who is going to stop you?
Who doesn’t want to be locked in a castle now? Dating back to 1210 originally and 1446 in its present form, Irish Castle at Blarney is among the best of them – and, as the name suggests, it is home to a very famous attraction. Sitting atop its tower, the Blarney Stone is believed to endow anyone who embraces it with the gift of eloquence. You can’t virtually lock your lips with it, of course, but maybe looking at the site in general will do the same? On the castle online visit, you’ll also explore its stony interiors and sprawling gardens (and you’ll probably feel like you’ve fallen into an episode of Game Of Thrones).
SAN DIEGO ZOO
Sometimes it’s enough to watch adorable animals go about their business. In fact, as the endless stream of cat and dog videos on the internet shows, there’s never a bad time to lock your peepers on a cute creature. Absolutely everyone feels that way, because of course it does – that’s where Live webcams from the San Diego Zoo, who scan several animal enclosures throughout the day, enter. Watch majestic elephants swinging their trunks, watch African penguins frolic and see polar bears dozing merrily. You can also catch monkeys and baboons for your monkey fix, see condors flying, and get a fix of big cats in the tiger enclosure. Oh, and if you want to spend some time watching an Australian animal, there’s a koala camera as well.
The new exhibitions officially open Thursday during Art After Hours, a monthly event that allows the public to enter the museum after normal opening hours. Thursday’s rally will take place from 5:30 p.m. to 8 p.m.
“For Keeps: Selections from the Permanent Collection” will be on display until September 25 with “Self-taught”, an exhibition of American folk art from the permanent collection and featuring works by Mose “T” Tolliver, Woodie Long, Jimmy Lee Sudduth, William Dawson and Bernie Sims – all self-taught artists.
Also from the permanent collection, a series of botanical prints by artist Alice Mason – known for her abstract paintings – will be on display until the end of the year.
“I found them in a box, and these are pieces of a sketchbook,” Lemmer said. “From the notes I found, she just experimented with different things, and I think this work must have come from a book she was experimenting with printmaking techniques.”
But art collections don’t have to be limited to museum walls or vaults. Upcoming Wiregrass Museum of Art exhibits showcase not only the museum’s permanent collection, but also art from a private collector from Alabama on loan to the museum.
“Beautiful Work If You Can Get It” features an eclectic mix of artwork, including sculptures created with metal tools. Some of the pieces are by artists whose works are also part of the museum’s collection, such as Dale Lewis’ caricature of the lips “Queen of the Lipstack”.
PENHOLD, ALTA. – An Alberta family is honoring the life and legacy of their father this weekend by selling a historic collection of horse-drawn carriages and sleighs dating as far back as the 1800s.
The late Lee Bowie of Penhold, Alta. Began purchasing the unique units almost 60 years ago in what has become one of the largest and most incredible private collections in North America.
“He was the kind of person who liked to fix things up and he really liked working with horses and dogs, so the collection started out as a bit of a hobby,” said Greg, Lee Bowie’s eldest son. .
“It all started with a car he discovered in southern Saskatchewan behind a barn and it grew from there. “
Lee Bowie died in January at the age of 90, but left 27 horse-drawn carriages and sleds behind. The collection will now increase for online auction in the sale of his property to Penhold, located just 120 kilometers north of Calgary.
Her daughter Kim says each car has a unique historical value and many memories that stretch back to her childhood.
“Four generations have enjoyed riding the sleds and buggies,” she said.
“Dad used to take mum on evening carriage rides in a buggy with the surrey on top and down country roads. All the neighbors would think he was a big romantic guy and he sort of was, but also a tough cowboy.
Some of the more unique carts include an original McLaughlin Cutter cart. The company was at one point known as the largest manufacturer of horse-drawn strollers in the British Empire and eventually got into the automotive industry with General Motors Canada.
Greg says another of his personal favorites is the Newfoundland Taxi, built in 1890.
“There are only a few left in the world, like maybe three and one of them is selling in this sale,” he said.
“At that time they were driving on the left side of the street, so the sled or taxi is open on the left side and the passengers are seated on the side and the driver is at the back of the unit with the queues. waiting in front of passengers. . “
The public were invited to view the cars on Saturday in person at the Bowie Estate in Penhold, but the auction itself is taking bids online until June 21.
Robert Klatt of Prairie Auction Services says more than 2,000 people have registered to participate in the auction.
“It has garnered a lot of attention from states in the northern United States and across Canada, even as far as Ontario and Quebec,” Klatt said.
“It’s pretty amazing to see and some people I spoke to woke up at 5 am this morning just to come because there aren’t too many opportunities like this.”
One of those people who woke up early was Miles Wowk, who drove the three hour drive just east of Vegreville.
“A lot of these coins are 100 or 120 years old, so where do you go to find such an old coin? It’s a piece of history, you buy a piece of history and that’s how the West was colonized. “
In an announcement that is excellent for the arts of the region and the country – and which speaks volumes about the rise of Jersey City – officials from the Center Pompidou in Paris said the world-famous museum intends to ” open a satellite site at the iconic and soon to be renovated Pathside Building in Journal Square.
The Center Pompidou × Jersey City, which will be Pompidou’s first satellite in North America, will offer visitors a sample of more than 120,000 works of art by Pompidou through exclusive exhibitions, while serving as a cultural hub of learning. .
The four-story, 58,000 square foot Pathside Building was constructed in 1912. Located at 25 Journal Square near PATH Station, it was purchased by Jersey City in 2017 with the intention of creating a new arts and culture center. for Journal Square. and the city. Pending the expected approval from city council, it will be renovated by OMA, a New York-based architectural firm. Its opening is scheduled for early 2024.
Jersey City Mayor Steve Fulop, who has often said the arts are a key part of economic development, was thrilled with the importance of the announcement.
“As the largest collection of modern and contemporary art in Europe, the Center Pompidou is the ideal partner to realize our vision and consolidate Journal Square as a regional anchor point for the arts”, he declared. . “When the Pathside Building was slated for high rise development, we saw a unique opportunity to change its trajectory to better serve the city as a museum and community center. Today, not only is that commitment paying off, but we have raised the bar with a tremendous international partnership that will bring world-class opportunities to Jersey City.
“This is the last major step towards our broader revitalization goals, using all that our city has to offer and making Journal Square a cultural destination for generations to come. “
Here’s more about the announcement:
The Centre Pompidou
Located in the Beaubourg district of Paris, it was commissioned by former French President Georges Pompidou. It houses a huge public library as well as the largest museum of modern art in Europe and serves as a center for musical and acoustic research. It opened in 1977 and has become one of the world’s top cultural attractions.
In recent years, it has started to open satellite sites in Metz, France (2010), Spain (2015), Belgium (2018) and China (2019). In 2023, it is expected to close for four years to undergo renovations.
The goal in Jersey City
Officials say cultural cooperation between France and the United States will launch a strong partnership to reinvent, develop and activate Journal Square’s iconic Pathside Building. The Center Pompidou × Jersey City will become a brand new premier international cultural hub that will serve as a vibrant destination for residents and visitors from across the region, reflecting the energy and diversity of Jersey City’s burgeoning arts community.
The Center Pompidou will bring its expertise to create an ambitious program emphasizing education through practical artistic and cultural experiences, with a community component at the heart of Jersey City’s ambitious and inclusive vision for the future, making the Center Pompidou × Jersey City a promising multidisciplinary art laboratory for cultural and educational programming.
The Pathside Building was originally built in 1912 to serve as an office building for the Public Service Enterprise Group. In 1995, the building underwent a major renovation to create new classrooms and a library for Hudson Community College and was part of the college’s urban campus until 2017 when it was acquired by the City of Jersey City.
The existing building has retained many of the original historic features including original brick masonry with terracotta / cast stone copings, parapet, cornice, woodwork and a ground level band of limestone / cast stone and the main entrance. The historical elements will be preserved and restored to highlight the historical past of the building.
The building structure allows for generous and flexible open spaces to be used as galleries and spaces for a variety of other cultural uses. Generous floor-to-ceiling heights and wide access to daylight offer many opportunities for the future fit-out of the existing building.
The building is directly adjacent to the Journal Square Transportation Center and Journal Square station of the PATH rail transportation system, with easy access to the greater metropolitan area.
The west facade of the building overlooks a wide concrete pedestrian walkway that directly connects the PATH transit system to Sip Ave and Journal Square.
The President of the Center Pompidou Serge Lasvignes: “Our ongoing experiments in Metz (France), Malaga (Spain), Brussels (Belgium) and Shanghai (China) have proven the strength and relevance of our path to get out of our walls and conclude innovative partnerships. I am so happy and grateful that the Center Pompidou opens a dialogue with the United States of Jersey City, a very vibrant and diverse community. “
Phil Murphy: “We are proud to welcome the Center Pompidou to New Jersey and look forward to the opening of what is destined to become one of North America’s premier cultural attractions.
First Lady Tammy Murphy: “As a state that is both the first in the country to provide universal arts education to our public school students as well as the home of over 700 arts organizations, New Jersey is uniquely able to appreciate all that this incredible partnership will provide. “
Jason Long, OMA Partner, who will serve as Chief Architect: “We look forward to working with Mayor Fulop, Jersey City and the Center Pompidou to transform the Pathside Building into a revolutionary new space for art, culture and community whose impact will be felt far beyond New Jersey.
The 26-piece collection, on loan from the Museo Dolores Olmedo, features an array of oil paintings and works on paper spanning the life of Kahlo, a Mexican artist who founded the 20e historical canon of the art of the century. Best known for her self-portraits highlighting themes of identity, politics, sexuality and death, Kahlo has channeled her personal struggles into her art and has become an iconic figure and symbol of the empowerment of women. women, individual courage and Mexican pride.
The exhibition includes pivotal pieces created throughout the artist’s life, including 19 oil paintings, representing more than a tenth of the total number of Kahlo paintings in existence. Kahlo’s Life Works follow a period when the artist was bedridden for months after surviving a life-changing bus crash at the age of 18 and lasted her entire life, se ending with a work completed the year of his death.
The arts center will be transformed into more than 10,000 square feet of exhibition space with a multimedia timeline featuring replicas of notable objects from Kahlo’s life, over 100 photographic images, original replicas of dresses, a Frida Kahlo– an inspiring garden and a children’s area.
Glen ellyn is 25 miles west of Chicago offers ample free parking is accessible by train. Visitors can extend their experience by exploring the surrounding communities, which feature Kahlo-inspired community art and murals, flower arrangements, gifts, dining experiences and more. To plan a trip, visit DiscoverDuPage.com, GlenEllyn.org Where CentervilleWheaton.com.
Frida Kahlo: Timeless will be on view at the Cleve Carney Museum of Art, 425 Fawell Blvd., from June 5 to September 7. 6 a.m., 10 a.m.-6 p.m. Friday to Wednesday and 10 a.m.-10 p.m. Thursday. The exhibition is presented by Bank of America and made possible with support from Ball Horticultural Company, Wight & Company, Nicor, AeroMexico, The National Endowment for the Arts, DuPage Foundation Illinois Office of Tourism and the DuPage College Foundation.
For tickets or more information, visit Frida2021.org or call 630.942.4000.
Perhaps one of the most watched collectible hunting programs has just come to your backyard.
“American Pickers,” a popular TV show focused on buying and selling antiques, plans a return to Wisconsin in July. They are looking for leads all over the state, especially interesting characters with interesting items.
“American Pickers” is a documentary series that explores the fascinating world of “picking” antiques on The History Channel. The hit show follows skilled gatherers Mike Wolfe and Danielle Colby as they hunt for America’s most precious antiques.
Along the way, they want to meet characters with remarkable and exceptional objects. The Pickers have seen a lot of rusted gold over the years and are always looking to uncover something they haven’t seen before. They are ready to find extraordinary objects and hear fascinating stories about them.
Sarah Perkins, producer of “American Pickers,” said that while the pandemic begins to show signs of slowing down, the show will continue to observe and obey local COVID-19 safety laws and procedures.
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“We understand that with the proliferation of COVID-19, we are all facing very uncertain times,” Perkins said. “At ‘American Pickers’ we take the pandemic very seriously and will follow all guidelines and protocols for safe filming as stated by each state. While we plan to be in Wisconsin in July, we will continue to reschedule if conditions worsen. Regardless, we are delighted to continue to reach out to the region’s many collectors to discuss their years of collecting.
“Big Oly,” Parnelli Jones’ iconic Ford Bronco off-road racer, stole much of the attention surrounding Dana Mecum’s original 34th Spring Classic in Indianapolis.
Not without reason, because the Baja 1000-winning Bronco is considered the first off-road supercar and “the most important Bronco-inspired vehicle ever built,” according to Mecum.
But there are many other “main attraction” stars among the expected. 2,500 vintage cars, trucks and motorcycles that will be auctioned May 14-22 by Mecum at the Indiana State Fairgrounds and Event Center.
Mecum’s signature auction is big in all directions. In addition to the total number of vehicles sold at auction, there are 27 private collections on record which together include 500 vehicles, of which approximately 425 of these are offered without reservation.
Among these Mecum shipments is the Class of ’71 collection, made up of four large Mopars: a 1971 Plymouth Hemi Cuda convertible which was one of only 12 produced in 1971 and one of three fitted with the factory A833 4-speed manual transmission; a 1971 Plymouth Cuda convertible, one of five Cuda V-Code convertibles produced in 1971 with a factory 4-speed and one of three Cuda V-Code 4-speed convertibles with the factory shaker hood; a 1971 4-speed Plymouth Hemi Cuda with only 25,200 miles; and a clean, unrestored 1971 Dodge Hemi Challenger R / T Coupe.
Six very original. Award-winning Chevrolet Corvettes, all red with red interiors, make up the Dr. Mark Davis collection, many of which hold Bloomington Gold Benchmark certification. The oldest is one of three 1958 Corvettes to win the NCRS Bowtie Award.
A 1966 Chevrolet Corvette convertible from the collection is the Corvette 427 with the lowest mileage of that model year, with only 11,400 miles on the odometer.
Deuceheaven Collection by Gene Hetland Includes 20 variations of the 1932 Ford: restored, original, run-in and in one case just the assembled chassis and flathead V8 transmission in showcase condition. The collection also includes a number of memorabilia and road art dedicated to the ’32 Ford emblem.
Among the most popular cars is a 1932 Ford Hi-Boy Street Rod “Triple Nickel” with a 35-year history of personal modifications. The rod was featured in Hot rod magazine and presented at the Grand National Roadster Show in Pomona, California.
Other top attractions offered for auction by Mecum in Indianapolis include:
• 1930 Duesenberg model SJ Rollston convertible Victoria
• 1931 Cadillac Series 452A V-16 Coach Sill Cabriolet Coupé
• 2020 Ford GT MkII wearing a unique Ken Miles livery and only driven 15 miles
• 1964 Cooper Monaco Type 61 racing sport
• A 1965 Shelby GT350R fastback that competed in the original Cobra trailer
Besides Big Oly, other items from Parnelli Jones’ personal collection include a 1974 Parnelli VP & -4 Formula race car, a 1927 Ford T-bucket roadster, two Saleen Mustangs, and a collection of road art. .
For more information on Mecum’s Indy Sale, including previews of all private collections, visit auction site.
BADA Friends, part of the British Association of Antique Dealers, has hosted virtual events this year until face-to-face meetings can take place later this year.
February 28, 2021
The group, formed in 1991 to work with members of the public to support the work of BADA’s Cultural and Educational Fund, announced a new run for spring.
Focused on promoting learning and expertise in the fine arts and antiques trade, events take the form of lectures and tours.
In March, a Zoom video conference on Apethorpe Palace titled “A House Back From The Brink” takes place on March 11. Participation costs £ 15. The Jacobin mansion was almost abandoned and was bought by Baron von Pfetten (Jean Christophe Iseux) in 2014, renamed Apethorpe Palace, renovated and partly open to the public.
The Old Curiosity Shop by Myles Birket Foster.
On March 17th, a Zoom video conference covers ‘The Antiquaire in Fact & Fiction’ which also costs £ 15. The light talk, moderated by Mark Westgarth, Associate Professor of Art History and Museum Studies at Leeds University, will cover examples from Dickens to Lovejoy.
David Parr House in Cambridge. Image credit: David Parr House by Howard Rice.
For those in need of an Arts & Crafts solution, a virtual tour on Zoom will examine the David Parr house in Cambridge. The house was once owned by painter and decorator David Parr, who worked for Cambridge FR decorative arts company Leach & Sons. He painted and decorated his own tiny house in the Arts & Crafts style he created for wealthy clients in his day job.
The small terraced house is now a charitable trust. Tickets for March 24 are £ 18. Participants also have 48-hour access to the David Parr House platform after the tour to have more time to explore.
For a touch of pure luxury, try a talk on Madame de Pompadour and Sèvres porcelain which takes place on April 7 and is priced at £ 15.
Statue of Paul Kruger in Church Square on June 10, 2020 in Pretoria, South Africa. The statue was painted with red paint and the words killer painted on it. George Floyd’s death is reported to result in the removal by protesters in some cases and city leaders in others of contentious statues that have pissed off some residents for decades. (Photo by Alet Pretorius / Gallo Images via Getty Images)
On January 21, 2021, the Tackling Racism in London task force recommended that the City of London, a city governing body that oversees the city’s historic center, remove two controversial statues from its Guildhall headquarters. To make this recommendation, the task force consulted over 1,500 members of the public on colonial monuments in the region.
It comes shortly after UK Housing and Local Government Secretary Robert Jenrick vowed to introduce legislation that would make it harder for local authorities to remove monuments, as monuments should not be removed “to the demand for screaming crowds “. In this bill, the last word will go to the government.
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